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    <loc>https://www.brienoel.com/new-gallery</loc>
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    <lastmod>2019-12-11</lastmod>
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    <loc>https://www.brienoel.com/homeold</loc>
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    <lastmod>2019-03-05</lastmod>
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    <loc>https://www.brienoel.com/framing</loc>
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    <lastmod>2017-07-31</lastmod>
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    <loc>https://www.brienoel.com/temper-series</loc>
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    <lastmod>2017-07-03</lastmod>
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      <image:title>Temper | Series - DISTANCE |  PART ONE</image:title>
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      <image:title>Temper | Series - HAD I // WOULD I EVER</image:title>
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      <image:title>Temper | Series - PART OF THE PROBLEM</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56856345df40f3987cb769d9/1499051495714-OFR8T5OG44Z1OHI531UO/static1.squarespace-1.jpg</image:loc>
      <image:title>Temper | Series - YOU GIVE IN TO IT SO EASY</image:title>
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      <image:title>Temper | Series - DISTANCE | PART TWO</image:title>
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  <url>
    <loc>https://www.brienoel.com/about</loc>
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    <lastmod>2019-12-11</lastmod>
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      <image:title>About</image:title>
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  </url>
  <url>
    <loc>https://www.brienoel.com/contact</loc>
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    <priority>0.75</priority>
    <lastmod>2024-04-10</lastmod>
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  <url>
    <loc>https://www.brienoel.com/magnitude</loc>
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    <priority>0.75</priority>
    <lastmod>2018-05-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56856345df40f3987cb769d9/1525127786052-HKEJC2NJ7EE7L8NGGB9T/static1.squarespace-3.jpg</image:loc>
      <image:title>Magnitude - Strength, Softly</image:title>
      <image:caption>This piece, Strength, Softly, shifts the compositional balance from most of my other work, which tends to be centrally-weighted or weighted towards the frame's north west edges. The conversation between the pink and blue spaces here moves the energy of the piece towards the south west, and the forms hold a fluid symmetry not found in the current series. The lower Antwerp blue shapes turn in towards each other, almost as a mirror, though not quite, in an attempt to invoke a sense of tense stillness. 30" x 22"  Ink and chalk on white deckle-edged watercolor paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56856345df40f3987cb769d9/1525127717244-HJO65F8H3J72AVKR4J5J/static1.squarespace-2.jpg</image:loc>
      <image:title>Magnitude - Reserve</image:title>
      <image:caption>Of all the work I've created thus far in the ongoing Magnitudeseries, this piece has the smallest amount of blue space. The single mass, floating separate from the pink forms above and below it, is intended to hold power without domination. The Magnitude series is an ongoing abstracted examination of the interplay between environmental policymaking and our natural environment, and the procession of pieces, which I will continue to make over time as I weave through other series and styles, is intended to appear as a dance between the dusty, blush-pink spaces and their vivid Antwerp blue counterparts.  In many ways this piece pushed me to stop when I want to keep going; I actively envisioned this series' blue/pink exchanges as an ongoing conversation between two equals, yet until this piece I had been treating the pink as an underpainting, the blue as detail. In this piece - stopping at just one blue element, allowing the pink to hold forth - I challenged this tendency. I allowed myself to let softness hold ground, to not always feel obligated to fill up space. 30" x 22"  Ink and chalk on white deckle-edged watercolor paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56856345df40f3987cb769d9/1525127498854-450H2HSFG1JMUXPN5HW6/static1.squarespace.png</image:loc>
      <image:title>Magnitude - Beginning</image:title>
      <image:caption>This piece, the first in the Magnitude series, was the genesis for an ongoing set of works on paper investigating the interplay between the natural environment and the human-derived modes of governance that attempt to conserve or control it. The underpainting is two floating forms in a blush pink ink, overlaid with heavy shadows that envelop the gentle pinks under their hard edges. This piece is the boldest of the series given the sharp edges of the blue masses, though, in my mind, it is also the most harmonious in its composition. 30" x 22"  Ink and chalk on white deckle-edged watercolor paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56856345df40f3987cb769d9/1525127622141-1VFJD6BMIZZIWXIYLWD9/static1.squarespace.jpg</image:loc>
      <image:title>Magnitude - Balance</image:title>
      <image:caption>In each series I select one piece that I feel most closely captures the set's underlying inspiration, and I keep it. From the Magnitude series I selected this piece. This is probably, in part, because it's the first finished piece that uses Antwerp Blue, a (now signature) vivid blue watercolor I mix myself using pigment powder I picked up at L. Cornelissen &amp; Son the last time I was home in London. This is also, though, because of the piece's harmony; in earlier studies for this series the darker shapes had strong, sharp edges that cut across the soft pinks. In this piece, for the first time in the series, the blue forms mimicked the rounded nature of the pinks. This is a closer abstraction of the interplay between human governance and nature than that which I'd managed to achieve in my earlier experiments, and this piece was the beginning of me hitting a stride in the ongoing series. 30" x 22"  Ink and chalk on white deckle-edged watercolor paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56856345df40f3987cb769d9/1525127679472-708JNKE03TRGGA18TKYB/static1.squarespace-1.jpg</image:loc>
      <image:title>Magnitude - Release</image:title>
      <image:caption>The ongoing Magnitude series is an abstracted reflection on how human policy shapes (conserves; aids; impinges upon) our natural environment. The soft mottling of the blush pinks and the deep, vivid pigment of the Antwerp blues are intended to be seen as enacting an ongoing dance throughout the series, in some pieces overlapping, in others, not, but always in conversation with the other shapes on the canvas. In this piece, as in the next few of the series, the blues shrink, making way for the soft power of the pink underpainting. Each shape holds space in the painting; each shape holds reserved strength. 30" x 22"  Ink and chalk on white deckle-edged watercolor paper</image:caption>
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  <url>
    <loc>https://www.brienoel.com/lichen</loc>
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    <lastmod>2018-05-04</lastmod>
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      <image:title>Lichen - Root to Rise</image:title>
      <image:caption>The Lichen series was borne of a set of experiments trying to capture the essence of the small tufts of powder green moss that cluster on the boughs of wet trees. The experiments slowly shifted colors, and then grew into elongated forms that now wrap across and occasionally around steady, watery spaces that supply a base for the energy of each piece. This piece has the most vivid 'base' hue in the series thus far, creating a bright, playful ground from which the creamy-yellow lichen shapes humbly grow. The piece is part departure, part growth, though as part of the genesis of the series stands alone in its move towards capturing the more vibrant tones in nature: the bright emerald glow from a budding leaf after a fresh rain. 30" x 22"  Ink and chalk on white deckle-edged watercolor paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56856345df40f3987cb769d9/1525467282977-EPF71UC4N5BCK4GAJ3ED/static1.squarespace-2.jpg</image:loc>
      <image:title>Lichen - Anticipate</image:title>
      <image:caption>Continuing from Root to Rise, this piece - the fourth in the ongoing series - pushes the boundaries of color by pulling from the most vibrant hues found in the natural world. The pink chalk detailing against the blue-green ink base recalls the color coupling of the Euca / Lichen sub-series, though in this piece the colors are electrified, intended to be a striking departure from the surrounding series, which invokes nature's more muted palette.  30" x 22"  Ink and chalk on white deckle-edged watercolor paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56856345df40f3987cb769d9/1525467338639-6HAINGMRFJV03GB6BFKR/static1.squarespace-3.jpg</image:loc>
      <image:title>Lichen - Grace</image:title>
      <image:caption>There's an experimental element here in not quite closing the south tip of the airy form created by the piece's pink chalk detailing. In this piece, unlike much of the series the grounding shape, here a soft yellow, holds equal energy to the lichen-inspired detailing. The focus is central, the colors both humble and equally muted, and the delicate interplay of colors and composition is meant to recall the grace of nature when it is at its most romantic; perhaps early morning, perhaps not, certainly under soft sunlight that is filtered lightly by a morning cloud. 30" x 22"  Ink and chalk on white deckle-edged watercolor paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56856345df40f3987cb769d9/1525467662478-P288LEREOSEKVBOV9LAY/19512455_10102797911151035_481270266_n-3.png</image:loc>
      <image:title>Lichen - Breath</image:title>
      <image:caption>One of the most active pieces in the series, the elements of chalk detailing in Breath are more angular and varied in size than much of the rest of the series. With this piece, I was trying to experiment with the weight of the composition; the pink ink underpainting is bright and large, with several sharp corners, and really holds weight in the composition (whereas in many other pieces the ink forms are more of a backdrop). Similarly, I weighted thick, heavy chalk forms in the center of the piece, with a few think slivers, barely touching, at the top. By doing this I hoped to give the piece a strong character and a depth of voice. 30" x 22"  Ink and chalk on white deckle-edged watercolor paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56856345df40f3987cb769d9/1525467044365-944Q5LI4WOAYJKNNX8ZV/static1.squarespace.jpg</image:loc>
      <image:title>Lichen - Scythe</image:title>
      <image:caption>After finishing each series I choose one piece that most closely resembles the original inspiration behind the series, and I keep it. For the Euca / Lichen sub-series - a mini series within the ongoing Lichen series - this was the piece.  The muted green and soft pink most accurately recall the milky colors of the Eucalyptus tree's stripping bark, and the winding movement of the pink chalk detail, drawing down into a point at the center-right of the green form, best captures the delicate twist of the scythe-like leaves.  30" x 22"  Ink and chalk on white deckle-edged watercolor paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56856345df40f3987cb769d9/1525467132485-CVM2GFTPAP9XTU9NWZ17/silt.jpg</image:loc>
      <image:title>Lichen - Silt</image:title>
      <image:caption>This piece, Silt, is the second in the ongoing Euca/Lichen series, a sub-series of the Lichenset. The green base of the piece is a soft green intended to capture the milky, almost powdered hues of the leaves of the eucalyptus trees, and the way the green ink mix sits on the thick-textured paper creates a watery feel of light movement. The tone of the piece's chalk detail is one of the earthiest in the series, a light grey-brown, recalling the warm but muted hue of dried topsoil or silt. The weaving composition of the piece's detail is intended to bring a feeling of movement, or lightness, or even a sense of playfulness when compared to the piece's green base which, while gentle, appears steady and resolute. 30" x 22"  Ink and chalk on white deckle-edged watercolor paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56856345df40f3987cb769d9/1525467531147-IURRELT0WGEMT4T720C1/19512455_10102797911151035_481270266_n.png</image:loc>
      <image:title>Lichen - Dust</image:title>
      <image:caption>The green here is inspired directly by the soft green leaves of the eucalyptus tree, which seem from a distance to be coated with a fine white powder. This theme runs through many of the pieces of the sub-series. It's the element of inspiration I've had most trouble bringing back into the studio (the pale green and the illusion of soft dust are so elusive) but it's a visual concept I find so striking that I continue to try. In Dust, using mixed inks, I came close. 30" x 22"  Ink and chalk on white deckle-edged watercolor paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56856345df40f3987cb769d9/1525467414756-Q1RO7G0X40J2ZHFXYFFT/image-asset.png</image:loc>
      <image:title>Lichen - Peel</image:title>
      <image:caption>Peel draws directly from the muted, pastel tones of the eucalyptus trees. An echoing refrain throughout the series is the love I have for the colors of the peeling bark of the eucalyptus trees, the soft blues and pinks and grays against the dusty mellow green of the fragrant leaves. This imagery is repeated because the trees are so prevalent in my surrounding environment and, for me, symbolize so much of the Northern California flora.  This piece was created early in the series after a walk for inspiration in Golden Gate Park, and the pairing of the warm pink with the mottled green is one of my favorites from the series. 30" x 22"  Ink and chalk on white deckle-edged watercolor paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56856345df40f3987cb769d9/1525467481705-7WQ3L9FZOS22UGZICJ5A/19512455_10102797911151035_481270266_n.jpg</image:loc>
      <image:title>Lichen - Tributary</image:title>
      <image:caption>Continuing on from Wet/Went, this piece - Tributary - similarly brings together a mix of inspiration from the rounded shapes of soft tufts of lichen, the green of the forest, and the gentle movement of water.  30" x 22"  Ink and chalk on white deckle-edged watercolor paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56856345df40f3987cb769d9/1525467380533-LRJ1QZSZ047KG83ZMFOW/static1.squarespace-4.jpg</image:loc>
      <image:title>Lichen - Humble</image:title>
      <image:caption>This piece is inspired by the cyclical balance of nature, the harmony and symbiosis between all things, illustrated in part by the complimentary warmth of the humble colors, and in part by the way the not-quite-closed southern tip of the powder blue chalk detailing aligns lightly with the weighty bottom of the not-quite-pink ink mass. The piece is intended to evoke a soft movement - not as striking or frantic as some other from the series - and the blue detailing segments are consequently thick and languorous.  30" x 22"  Ink and chalk on white deckle-edged watercolor paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56856345df40f3987cb769d9/1525467627378-U7TJ7SOF5V8LVI7MYSYL/19512455_10102797911151035_481270266_n-3.jpg</image:loc>
      <image:title>Lichen - Moonscape</image:title>
      <image:caption>This piece is inspired by the cyclical balance of nature, the harmony and symbiosis between all things, illustrated in part by the complimentary warmth of the humble colors, and in part by the way the not-quite-closed southern tip of the powder blue chalk detailing aligns lightly with the weighty bottom of the not-quite-pink ink mass. The piece is intended to evoke a soft movement - not as striking or frantic as some other from the series - and the blue detailing segments are therefore thick and languorous.  30" x 22"  Ink and chalk on white deckle-edged watercolor paper</image:caption>
    </image:image>
    <image:image>
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      <image:title>Lichen - Wet / Went</image:title>
      <image:caption>One of the most unabashedly blue pieces of the series, I was experimenting slightly with moving towards the gentle curving of water in the piece's pale blue chalk detailing. The detailed lichen-inspired abstract shapes are intended to depict soft movement, an almost-cyclical flowing of one entity around and into the next. 30" x 22"  Ink and chalk on white deckle-edged watercolor paper</image:caption>
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